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I would love to say something witty in recommending this brief story on Threads, but I am afraid I can’t top what a person said in one of the replies, which is “I haven’t heard a worthwhile insane co-worker story in a while. Thank you for this savory bit of absurd chaos”
I don’t know if I’d consider myself a Luddite, but I definitely have started to understand in the past five years that the more time I spend away from my phone/laptop/ipad, the happier I tend to be. And I wouldn’t say I’m resisting AI as much as I am sort of ignoring it right now. But this illustrated article about the history of humans resisting automated technology was really illuminating (thanks, Gary, for sending it to me).
I wrote and illustrated a piece for Outside Run this week, detailing five things I’ve learned about ultrarunningsince I sort of backed my way into it in 2015. Now that I’m looking at the story online, I am realizing none of those five things are “how to run faster” or “how to guarantee you won’t have to make an emergency bathroom stop.”
A few years ago, Hilary gifted me The Penguin Book of Japanese Short Stories, a collection of fiction with an incredibly detailed introduction by Haruki Murakami. One of the stories that has stuck with me was “Hiroshima, City of Doom,” an excerpt from Yoko Ota’s novel City of Corpses—a young woman’s description of waking up in the house she shared with her mother, sisters, and baby niece after the atomic bomb is dropped on Hiroshima, and their struggle to evacuate, wandering on foot through a city of flattened buildings among their neighbors, who are injured, burned, dying, and confused as to what had actually happened. I saw Oppenheimer in the theater this summer, and was not surprised to see it win a bunch of Oscars, but I kept thinking of the Yoko Ota story. And then this week I saw this animated short, which is a tough watch (hence the “Mature” rating), but tells the true story Akiko Takakura, of one of the last remaining survivors of the atomic bombing of Hiroshima.
I’ve been following David Shrigley on Instagram for years now, and have sent his images as messages to many friends who I think would understand and love his sense of humor and aesthetic. If this piece on Art Dogs is your intro to him, I think it’s as good as any. And not to spoil anything, but one of my favorite images here is probably the one captioned “‘Leisure Centre,’ by David Shrigley, from his final degree show for his masters in Glasgow. The show got panned by professors.” (thanks, Anna)
If you a) feel lucky and b) would like to join an all-women's trail running camp in the Alps in June, you can register here in about 15 seconds (entries close at midnight EST on March 17th). Actually, scratch that, you can register even if you don’t feel lucky. Because then you might "get lucky" and win the trip.
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Writer, artist, filmmaker, columnist for Outside Magazine. My newsletter about creativity, adventure, and enthusiasm goes out to 15,000+ subscribers every week.
Why We Put In The Miles I would like to present this with more fanfare, but I don't want to write more words about the thing than are in the actual thing, so: This is a sort of visual poem about running, but more about repetition, and believing in a thing that we do. I've had the idea for this film for at least two and a half years, and when it finally came together over this past weekend, the finished product ended up being two minutes. Or 2:19, to be exact. It's called "Why We Put In The...
Friday Inspiration 545 I don’t know how to describe this 8-minute video of the Artemis II launch, but it was unexpectedly moving (I know Katy Perry/lots of ultra-rich people have now gone to space but why is this so much more exciting?)(video) This is a story about the minor-league Staten Island FerryHawks being the worst team in professional baseball this season, but the best part to me was Lauren Theisen’s description of what it was like to watch a night game in a stadium designed to hold...
Friday Inspiration 544 Clips of this performance were floating around social media this week, especially noting that Robert Glasper has tears running down under his sunglasses while he plays a cover of Radiohead’s “Everything in Its Right Place,” and it is incredibly powerful. But I poked around a bit and he’s been covering this song for at least 20 years, so I wonder why this performance affected him so much? (video) This New York Times article about Sylvester Stallone’s Cliffhanger being a...